
- The 2nd Temple
The title of this blog is the title of a symposium which was held in London’s Temple Church on Saturday, May 30. A friend tipped me off about the symposium; I contacted its organizer, Dr. Margaret Barker, and asked if she’d be interested in hearing about Suzanne Haik-Vantoura’s work at this symposium; and between us and my most worthy sponsor, we worked out the details.
At this writing, I’m still in London. It is early morning on Monday, my one day set aside for touring before I leave on Tuesday. Yesterday was Pentecost, so I was celebrating it with the local congregation of the Living Church of God — and that was a wonderful experience. But today is for my own adventures, so I must be brief about what happened on Friday evening and Saturday.
On Friday evening there was an informal dinner at the “flat” of Lawrence Henning, where I met a number of the speakers including Dr. Barker. One of the unexpected highlights of the evening was a request from Dr. Barker to perform a “Jewish blessing” over the meal (after it had been blessed Catholic-style by our host). I chose the Priestly Blessing, complete with reconstructed supporting gestures, from Numbers 6. This melody was of course that restituted for the words by Mme. Haik-Vantoura. That little presentation led to quite a discussion for a while — and given all the other points of view at the table, it was a fascinating evening. The fact that the food was so excellent (including poached salmon for the main course and trifle for dessert) didn’t hurt one bit.
The list of speakers on Saturday is given here (as already noted). Dr. Barker designed her opening overview as a lead-in to what the other speakers were saying, while sticking mostly to her own point of view. It was interesting to me to hear what she knew and what she didn’t know about how Hebrew Scripture was recited in antiquity, and I played on that later.
Dr. Crispin Fletcher-Louis came next, and in a way his was the most “spare” of the presentations. He focused on an apparent connection between the biblical verses related to the Feast of Trumpets, comments in Pseudo-Philo on the alleged significance of the day, the verses in Job concerning the angels shouting at the creation of the world, and some pertinent Psalm texts. I was left with an avenue of research to explore, yet by comparison to what followed his presentation was but an appetizer.
Jill Purce had, I believe, the longest presentation, and the one which by far focused the most on audience participation. Now the Temple Church (associated so closely with the Knights Templar) has close associations on various symbolic levels with Jerusalem and its Church of the Holy Sepulchre, in fact it reminded me of things I saw in Jerusalem. I believe that what one would call its “nave” is circular, which is unusual. There the acoustics are very good for singing or speaking, and Ms. Purce chose that venue for her presentation, which focused on the chanting of vowels and their various implications and types of significance in different religious traditions. I thought that she’d stolen the show right there and then.
Imagine my total shock (and total delight), then, when the next speaker, Canon Lucy Winkett, the precentor of no less than St. Paul’s Cathedral in London, spent at least half of her speech discussing the implications of Suzanne Haik-Vantoura’s work and comparing it to the music of the famous Hildegard of Bingen. As it happened, Canon Winkett had seen my YouTube channel and was deeply impressed by what she found there. As a professional singer, she could say things about Haik-Vantoura’s discovery that I could never have said remotely, not having anything like the same training. So hers was the perfect introduction to my presentation, which followed after lunch.
I had lunch (and also an outstanding organic wheat beer) at Ye Olde Cheshire Cheese, which is not far from Temple Church. Going down Fleet Street to that pub, one sees the awe-inspiring dome of St. Paul’s Cathedral. I had no idea that it was so large; I’d seen nothing like it since I’d seen the Capitol in Washington, DC. Of course the pub itself was its own delight; the atmosphere was unique, and the fish and chips weren’t half bad either.
Murphy’s Law follows me like a hound dog, and despite all my efforts to evade its effects I almost didn’t get to put on this video (followed by videos of Isaiah 60:1-5 and Psalms 148). However, the “sound man” and I found a workaround for my lack of proper extension cord (and his breakdown in sound connection wiring), and we got my video up and running. And lo and behold, I had more time than I expected (45 minutes, not 30 minutes), so after the video I was able to perform samples of the reconstructed biblical chant “live”, complete with the reconstructed gestural system behind the written notation. It was that portion, even more than the video, that the audience found gripping (as I was told). Plus, I got to address a number of points brought up in earlier presentations.
[Update 2009-06-04: See this updated page on my Web site for the video and the text of the paper. This page on Photobucket contains all the photos that turned out from my trip, plus four photos taken by someone else at the Symposium.]
Frederick M. Huchel’s paper (his slideshow he couldn’t get to work at all) was in its way the most challenging, dealing with the “cosmic dance” as portrayed in various religious traditions, including (allegedly) the First Temple in Jerusalem. The roots of this particular kind of dance appear to be in Egypt. It made great inroads into post-New Testament Christianity, yet to me the question went begging as to whether the original, “primitive” Church would’ve rejected such dancing as paganism [Update 2009-06-04: as it was introduced by the confederacy of Rome, Alexandria, Samaria and the altered Jerusalem church]. He thinks not, as I gather from his paper. The fact that he is a Mormon and drew upon the traditions of his own church in the course of his own presentation certainly added spice to the presentation, and I wondered how others reacted to this.
László Dobszay of Hungary is a specialist in early Christian chant and its connections with early Jewish synagogue chant, and his presentation was perhaps the least accessible, both because of his accent and because of the nature of the material. One excellent thing he did was to give us a handout; and then (for he was able to get his soundtrack to work) he walked us through the structure of an extended early Christian chant, showing how various ornamental cadences were used to mark out the syntax of the Latin phrases.
Ater all that, there was a “tea” in the garden in the back of the Temple Church. After a lot of further discussion, I went home, had a good dinner at the Raddisson near the British Museum where I’m presently staying, and went to bed.
שלום בישוע המשיח
יוחנן רכב